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This work is aligned with the Anglo oriental style of studio pottery which was pioneered in France in the late 19th century and gained prominence in England and Japan in the early 20th century.

As such, this work belongs to one of the dominant strands of modern craft theory, whereby archaic Asian and European ceramic traditions were reinterpreted within contemporary society. My current work leans towards a more traditionalist approach, as is evidenced by the functional, classical forms and glazes and the extensive use of unrefined materials such as wood ash, rocks and clays, often gathered from the local area. All pots are fired to stoneware temperatures using a combination of wood and/or gas as fuel. Many of these pots were made on a wheel based on the traditional Japanese te-rokuro hand wheel.
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amblygonite bowl 1.jpg

Amblygonite bowl

ash brusholder cropped.JPG

Ash brusholder

black and white bowl.jpg

Black and white bowls

flat black 1.jpg

Flat black bowl

jun bowl 1 adj pc.jpg

Jun bowl

jun bowl dark foot.jpg

Jun bowl with dark foot

mirror amblygonite bowl.jpg

Mirror ambygonite bowl

porc bowl 1.jpg

Porc bowl

shino bottle 1 altered.jpg

Shino bottle

soft kuan bowl gourd vase.jpg

Soft kuan bowla and gourd vase

white bowl ash vase.jpg

White bowl and ash vase